The Fakir and the Macumbeira

Drawing on a newsworthy police case—the arrest, in Rio’s northern suburbs, of a "fakir" and a "macumbeira" accused of exploiting public credulity—this chapter reconstructs the trajectories of the two protagonists, Georgina Coutinho and Elyseu Sant’Anna, using press archives dating back to the early 1920s. It situates them within the Serrinha subdivision, a socially mixed area linking the morro (hillside favela) with a bourgeois avenue, and home to some of the first samba schools as well as the Resistência trade union. The case extends far beyond the repression of quackery alone: it reveals the social aspirations of suburban working- and lower-middle-class residents, especially women. These religious activities provided a sphere of social mobility, autonomy, and emancipation, helping to explain both their repression by public authorities and their disqualification by elite groups. By appropriating and adapting religious practices from diverse traditions, popular classes effectively established a form of religious freedom that they associated with access to legal rights, education, healthcare, and participation in the destiny of the nation. The chapter thus highlights what was at stake in these religious spaces for both the Catholic Church and Vargas's Provisional Government.

Author Biography

Aurélia Michel

Maîtresse de conférences HDR en Histoire des Amériques noires à l’université Paris Cité, Aurélia Michel est chercheure au CESSMA (Centre d’études en sciences sociales sur les mondes africains, américains et asiatiques). Ses travaux portent sur les conséquences de la colonisation et de l’esclavage dans les sociétés contemporaines (au Mexique, au Brésil, et plus largement dans l’espace atlantique). Elle est l’auteure de l’ouvrage Un monde en nègre et blanc publié au Seuil en 2020 et elle a également collaboré au scénario du documentaire Les Routes de l’esclavage (Arte, 2018).

https://www.cessma.org/michel-aurelia

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Published

8 July 2026

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